Scottish Textile News
The UK government has published details of which imports into the UK would be subject to new import tariffs if the UK leaves the EU under a ‘no deal’ scenario.
This list includes around 80 fashion products including jeans, T-shirts and men’s jackets, and a dozen other products including some gloves, bed linen and table linen. The average tariff rate for these 100 products will be 12%.
Details of the products and the tariff rates by 8 digit HS code can be found below.
UK Import Tariffs in the event of a ‘no deal’ Brexit
In the event that we leave without a deal almost all fashion and textile products will be able to enter the UK duty free.
If the UK leaves the EU with no deal, you may need to pay different rates of customs duty (tariffs) on imports. These rates would only be applied if the UK were to leave the EU with no deal.
The import tariff schedule is only temporary and would last for 12 months from the date that we leave the EU without a deal.
The tariffs on imports would not apply to goods crossing from Ireland into Northern Ireland.
Currently, if the UK leaves the EU with no deal, the UK government would not introduce any new checks or controls on goods at the land border between Ireland and Northern Ireland.
GSP/GSP+ and EBA
Countries such as Bangladesh and Nepal which currently get duty free access to the UK under GSP/EBA arrangements would not be subject to any import tariff.
Tariffs on Exports to the EU
In the event of a no deal all UK exports to the EU would be subject to a tariff. The average EU tariffs for our sector are 4% for yarn, 8% for fabric and 12% for clothing. Footwear and accessories such as handbags would have different tariffs.
Details of the tariffs that would apply to exports to the EU in the event of a no deal can be found below.
EU Tariff rates in the event of a ‘no deal’ Brexit
It is not yet clear whether the UK will leave the European Union with or without a deal. We do not currently know what a deal looks like but we do know what ‘no deal’ looks like and HM Government is attempting to prepare companies for that eventuality. UKFT is doing everything it can to make this process easier for fashion and textile exporters (and importers) by posting the most important documents and links here.
Original article here
Textiles Scotland and the University of Strathclyde have been awarded £10K of funding from Interface to explore the use of virtual and augmented reality to improve garment pattern design.
Through a funding call to boost innovation amongst business and academics in the creative industries, Textiles Scotland have collaborated with academics at the University of Strathclyde and successfully secured funding.
Virtual fitting and product customisation
Textiles Scotland and the University of Strathclyde are exploring the use of virtual and augmented reality to collect and analyse consumers’ biometric data and match it to garment patterns. The project will help tailors and bespoke manufacturers to increase efficiency, productivity and customer satisfaction by customising clothing, maximising fit, and minimising garment adjustment time; thereby reducing material wastage.
Jaki Love, Director of Textiles Scotland, said:
“Innovation is key to the survival of the industry and this research will provide unique opportunities for our designers and manufacturers to create bespoke products for their customers and reduce waste. Being at the forefront of innovation and sustainability in textiles will put Scotland on the map as the place to source bespoke luxury fashion.”
Danny McMahon, who is leading the project at the university, said:
“The overall aim of the project is to understand people’s sizes and custom-make clothes to that size and shape.”
He added: “It has the potential to eradicate the problem of different store sizes and offers the possibility of moving away from standard sizes. It is about a more individual experience and customers having confidence that the clothes they buy can fit.”
Howell Davies, Sector Engagement Project Manager at Interface, said:
“Funding collaborations like these can bring about really positive solutions to a range of businesses [and] supply chains ... leading to positive impacts on the economy and environment. We’re really excited by these latest projects and look forward to seeing the outcomes.”
A new Scottish Vocational Qualification (SVQ) for bespoke cutting and tailoring has been developed, which aims to preserve the artisan skills required for the production of tailored garments.
UKFT and Textiles Scotland have worked with the industry to develop a qualification which combines the heritage of tailoring training with key production skills and cutting practices.
Companies involved in the development include Johnstons of Elgin, Alex Begg, BeYonder, Deryck Walker, the Incorporation of Edinburgh Tailors, Savile Row Bespoke, Creative Scotland, Edinburgh College, Glasgow Clyde College and Heriot Watt University.
This month the SQA Accreditation Co-ordination Group (ACG) agreed to approve the SCQF Credit Rating and Qualifications Products for the new SVQ in Bespoke Cutting and Tailoring at SCQF Level 6.
The new SVQ will now be developed and offered by the Scottish Qualifications Authority Awarding Body and for the first time in Scotland will provide an overview of the skills, knowledge and behaviours required for the production of tailored garments.
Most of the skills are carried out by hand in order to produce a garment that fits precisely to a customer’s requirements. Bespoke tailors and cutters have practical skills in bespoke garment manufacture and pattern construction.
This SVQ is based on the latest National Occupational Standards for Bespoke Cutting & Tailoring (compiled by employers) and is comprised of a mandatory Health and Safety unit supported by industry specific artisan hand craft skills and knowledge with a choice of specialising in either tailoring or cutting as a career path.
“The skills involved in bespoke tailoring cover a wide area of expertise that includes craft, technical, creative and design,” said UKFT skills and training manager John West.
“These skills are vital for the bespoke tailoring industry in Scotland and ultimately have to be employed with great precision, to high standards of excellence and within realistic time constraints.”
For more information about fashion and textile apprenticeships contact firstname.lastname@example.org.
Our first full year under our new brand name Textiles Scotland was jam-packed with activity.
One of our greatest achievements this year was helping to secure the Textiles Connector funding for the industry, with Scottish Enterprise.
In the Spring we held Trends Masterclasses with Fiona Chautard in Glasgow and in Shetland. Fiona also wrote some thought-provoking blog posts for us. In Shetland we got a chance to travel around the island and meet many inspiring textiles creators.
We continued to organise and operate the Textiles Industry Leadership Group.
In May we partnered with the Advanced Forming Research Centre to discuss how manufacturing technologies can inspire the textiles industry.
Summer saw us host the closing party at XPo North, after taking part in some interesting panel discussions.
We assisted in design development by providing access to WGSN for the industry.
By Autumn we were busy assisting UKFT in the development of a bespoke tailoring qualification for Scotland.
We bid a happy retirement to our CEO, David Breckenridge. Another Trends Masterclass was held in November, this time with Joanne Yeadon.
And of course, we continued to promote our members through our Member of the Moment feature, industry news, Instagram takeovers, Facebook, Twitter, and our much-loved newsletter .
At the end of the year we confirmed a management takeover of Textiles Scotland by UKFT, so 2019 is set to be full of new and interesting experiences!
Textiles Scotland would like to thank our members and supporters for a wonderful year full of creativity, passion, and bright ideas. We wish you all a prosperous and productive 2019!
Here are some 2018 highlights from our members…
2018 has been the biggest year to date for Araminta Campbell. After moving into a new handweaving studio and showroom just off the Shore in Leith, they grew with two new staff members to a team of five.
Araminta Campbell's bespoke tweed and tartan service has continued to expand, with a number of large commissions in 2018. The Fife Arms Hotel tweed and tartan was released to much critical acclaim, and installed across its interiors, furnishings, uniforms and retail products.
Soon to open Fingal, Edinburgh's floating 5 star hotel received their bespoke throws and cushions which have been used in the ship's luxurious cabins.
In the autumn Araminta Campbell released a new Handwoven Signature collection, and topped off a great year by winning £30k at the Scottish EDGE awards in December.
Johnston's of Elgin made their debut at London Fashion Week in February, and returned for a second season in September.
In late 2018, the brand announced they would be opening a flagship store in Edinburgh, in spring 2019. Located on Multrees Walk, Edinburgh’s luxury shopping quarter, the new space will be over two floors and will house womenswear, menswear and homeware collections. Set over 2,000 square feet, the store will open showcasing the Spring Summer 2019 collection.
2018 was a busy and thoroughly enjoyable year at Laura Spring HQ. In February Laura discovered she had been awarded the British Council x HIAP Helsinki designer in residence for 2018. The theme for the residency was ‘Arranging Practice: Proximity, Distance, Instance’ and involved two separate residency periods in the Finnish capital Helsinki during May, August and September where she researched contemporary design practice and our relationship to making, and the objects produced through on-going research into the Finnish weaving technique täkänä.
The culmination of the residency was held during Helsinki Design Week in September where Laura exhibited work produced along with the Finnish designer in residence, Elina Läitinen, at The Design Museum in Helsinki.
July saw the launch of an exciting project working with the Tate to produce a set of exclusive designs that were transformed into a range of accessories for their gift shops.
The award winning Inver restaurant invited us to produce cushions and quilts for their newly opened bothies on the shore of Loch Fyne and we were also invited to produce an exclusive set of A6 notebooks for The British Council Scotland to be given away as gifts to international visitors.
In November, we received our copy of ‘Print/Maker’ the latest book in a series called ‘The Encyclopaedia of Inspiration’ featuring 48 printmakers from around the world including our small studio in Glasgow.
Just in time for Christmas we launched a small collection of new products including an ethical alternative to Christmas wrapping paper – a range of screen-printed knot wraps inspired by the Japanese art of Furoshiki – as well as some popular new fabric storage pots.
Prickly Thistle successfully crowdfunded to #BuildTheMill - a project to bring back tartan manufacturing to the Scottish Highlands, and are now going into Season 2 of the project.
Furthermore, Prickly Thistle have created seven jobs in the textiles industry in the Highland region, and launched a new website at the end of 2018.
Sekers celebrated their 80th Anniversary in 2018. The leading furnishing fabric wholesaler launched their new look website, with new and improved features including E-Binder, image download, quick sample and responsive design.
Wemyss, having celebrated 70 years of trading in 2017, also launched their new website featuring responsive design, improved search function, wonderful imagery and upgraded account area.
Additionally, Sekers Fabrics and Wemyss Weavecraft underwent a management buyout by the current Managing Directors. Ian Tatnell and Ian Worf, the respective MD’s for Sekers & Wemyss, will be equal shareholders in the new company Worell Ltd. Malcolm Moir, who is the majority shareholder of the previous owners Gourdie Ltd, will be retained as Group Non-Executive Chairman to oversee the smooth transition of the deal.
April 2018 saw the launch of the new Alchemy Collection by Bute Fabrics. This had been in the making for 18 months as they wanted to produce something new and exciting with a nod to the history of Bute Fabrics and the renowned signature of colour, texture and performance.
Many customers were invited to offer feedback on fabric swatches throughout the development process, encouraging the Bute Design team with rave reviews from the early stages which was a great boost – this was the first collection to be launched by Bute in 7 years so they wanted to be sure the market loved it from the outset.
The vibrant, colourful range is complemented by an elegant palette of neutral options to cater to every interior environment and is now Bute's top selling fabric alongside their ever popular Tweed.
MYB Textiles have been working on an exciting innovation project for the past 2.5 years with Sara Robertson from the Royal College of Art, Sarah Taylor from Edinburgh Napier University and Mike Stoane Lighting - ‘LIT LACE’ light emitting woven textiles. They have developed fibre optic fabric that can be illuminated after weaving.
Lit Lace had a soft launch at the Light & Building exhibition in Frankfurt in March. It is aimed at Contract and Hospitality customers who are interested in technical textiles that can be used in bars, restaurants and hotels,and also the theatre industry. This is first light-emitting fabric to be woven at the heritage mill and puts Scotland at the forefront of textile innovation.
MYB’s new Collection, JAMIESON, was launched at Heimtextil, Germany in January. A fresh direction for the brand, creating a co-ordinating range of delicate and bold stripes, textural chenille and wool, and matt/shine contrasts in luxuriant colours and weights. Jamieson is a cleaner, crisper modern collection achieved by weaving on a bright white mercerised cotton base.
MYB fabrics featured in many films and TV shows in 2018, including Downtown Abbey, Lincoln, Peaky Blinders, Budapest Hotel, Broadway Empire, Maleficent, Outlander, and Mr Selfridge.
One of MYB’s acclaimed modern lace designs, ‘Fractal’, was featured on the cover of a new book published to celebrate Scottish Design and opening of the new V&A Dundee museum in September. They were also delighted to be highlighted within one of the books chapters, ‘Reinventing Traditions: Textile Heritage and Design Innovation’ and to have fabric on show as part of their permanent design exhibition.
MacNaughton Holdings, Scottish manufacturing company since 1783, has had a year of expansive product development.
The Isle Mill brand launched a new throw collection at the Scottish Interior Show. In May, at the Proposte Exhibition in Como, they expanded their signature wool sateen to 75 colours available ex-stock. At Decorex in London, MacNaughtons launched wider colour ranges to our Orkney boucle, and Crammond Melton range, whilst also launching Islabank, a contemporary collection of Donegals in plains, stripes and neutrals, which is suitable for the contract furnishing market. In January 2019, we will launch our new website.
The House of Edgar brand launched the Hebridean collection at The Scottish Trade Show in January and added new colours to the Clunie and Crail kilt jackets. In April, The House of Edgar also attended The Celtic Showcase in Secausus, New Jersey. The brand have had several notable projects this year, including producing a tartan for The Gold Coast Commonwealth Games 2018, weaving Celtic F.C.’s new club tartan and creating a tartan for The Ministry of Defence.
Mairi Helena launched her new fabric and wallpaper collection ‘Homelands’ at the Scottish Interior Showcase and has enjoyed establishing her designs within the commercial interior sector in particular.
Project highlights include involvement of her wallpapers in a local renovation of a high profile restaurant with rooms in Gullane, as well as the Edinburgh City Chambers Wedding Suite.
In September Mairi exhibited at the very first ‘London Interiors Show’ at Chelsea Harbour Hotel during London Design Week; as well as taking part in Design Central in Cheshire and April Interiors in Cheltenham. She also participated in a first 'Luxe Home Pop Up' in Glasgow together with Scottish brands Gilly Nicholson, Bed Linen and GoldHart.
2019 will see the launch of a new collection of wallpapers, new product as well as an exciting collaboration.
Joanne Yeadon presented her Home Interiors trend predictions and storyboards to the team at Trend Bible for their AW20/21 Home Interiors publication.
Later in the year, in partnership with Textiles Scotland, Joanne hosted her first Trends Masterclass on AW19 Fashion and Interior Textile Trends.
From moving into new premises, set in Royal Deeside, to attending amazing British fairs in Japan - it’s been an fantastic year for Cari & Co.
The start of this journey began in February when a Tokyo based, Japanese buyer and two colleagues visited their riverside studios. They loved the new scarf designs (incorporating hand embroidered buttons) so much that they placed a substantial order. From there they were chosen to attend two British fairs in Japan, specifically to demonstrate the art of embroidery. The fair was a sell out for their products.
Almost simultaneously, Kinloch Anderson approached Cari & Co. to work on a collaboration using their scarf designs with Kinloch Anderson fabrics - coincidentally, both products were being shown at the same Japanese fairs, in Fucuoka and Osaka.
In 2019, they are aiming for more export orders. The Scottish Development Agency are helping to introduce their products into the Nordic and Scandinavian markets, and will be attending trade fairs gaining priority introductions to potential buyers.
In 2018 Malcolm the Weaver published the 3rd in the trilogy of books, The Tide That Stayed Out and The Wind That Never blew. The books are used in primary schools in teaching 4 to 8 year old children about the art of colour, the skill of craft, nature, the environment and sustainability.
Malcolm Campbell also presented the project at The International Society for Sustainable Fashion in London, and The International Rotary Conference in Scarborough.
During 2018, wonderful endorsements for the project have been received from Sir David Attenborough, The LGBT Foundation, and The Dolly Parton Foundation.
The books are currently in 8,000 schools in the UK, thanks to generous sponsorship from sponsors such as Johnstons of Elgin.
Riachi Studio is a contemporary heritage knitwear label dedicated to designing sustainable contemporary luxury cashmere knitwear. Riachi Studio mixes contemporary fashion sensibilities with heritage-quality construction, materials and the savoir-faire of Scottish artisans. The brand has worked with some of the most skilled factories in the Scottish Borders, with whom they have developed a fashion forward capsule cashmere collection.
Riachi Studio proudly presented their first capsule cashmere collection in Paris at the International trade fair Tranoï Womens. In Winter 2018 they launched a cashmere shop live online.
Luxury weavers Alex Begg received a factory visit from Prime Minister Theresa May in April, as part of a day-long tour to hear the views of businesses and families across the breadth of the UK on the one year mark countdown to Brexit.
The tour of the Alex Begg factory came as the UK government announced it would formally begin talks with local partners for a new Growth Deal for Ayrshire. The deal is expected o significantly bolster the region’s economy, create jobs and boost productivity.
Read the highlights from 2017 here.
We are interested to see what 2019 will hold for our innovative and inspiring members, and wish them all the best of luck.
Words by Kimberley White
Scotland Is Now is a new promotional campaign to highlight our small nation's hard work and spirit; and put us on the map as a progressive and innovative country.
Scotland Is Now are looking for 'people stories' and they have enlisted the help of Textiles Scotland to ensure our fabulous sector is well-represented.
They are looking to create 5 'people' films.
View current people films here.
The best of these stories play on Scotland’s key attributes – welcoming, generous of spirit, determined, progressive, innovative, and pioneering.
We are looking for a list of people / companies who can tell great stories that are visually compelling.
Fill in the application form
Textiles Scotland and the industry wish CEO David Breckenridge a happy retirement.
David retires from the helm of Textiles Scotland after over 45 years in the textiles industry, working across the country in a variety of leadership roles.
On behalf of the industry we would like to thank David for his service and wish him health and happiness for the future.
David Breckenridge says:
"After 45 years in the textile industry it is a great wrench to be leaving behind that intense involvement but I am very confident that the sector, despite the many challenges it faces, remains a strong and vibrant component of Scottish economic and cultural life. That confidence is based upon the sheer amount of talent and creativity to be found in all our businesses both large and small and when that is allied to the knowledge and experience gained over many generations it makes for such a compelling proposition.
When I began working all those years ago for my local company, Glen Cree, based in the heart of Galloway, the world was a very different place and I have seen many changes throughout my subsequent working career at Peter MacArthur in Hamilton, as managing director at Alex Begg & Co in Ayr and then latterly as Chief Executive of Textiles Scotland. The industry has evolved over that time and although it may be much smaller than it was I believe that it will continue to prosper. Textiles Scotland will, I know, continue to support its members in every way possible and Jaki and Kym, with the formidable backing of the UK Fashion & Textile Association, will ensure that that the industry's unique place in Scottish life is not forgotten."
Textiles Scotland Director, Jaki Love, commented:
"The wealth of knowledge that David obtained through his many years working in the textile industry was invaluable. He shared this knowledge with me over the last 5 years and also provided a wealth of support for which I am incredibly grateful for. This knowledge also enabled Textiles Scotland to provide support to its 120+ members, be they were small micro businesses or the largest of Scottish manufacturers. David’s awareness that we needed to support those smaller businesses and to challenge and support them to grow so they themselves could be beneficial to the economic development of Scotland was key.
Taking up the gauntlet from David and securing a strong future for our industry is now our immediate goal. Support of the textiles sector is something we continue to strongly lobby the government for. We have strong ambitions for the sector and our focus sits with the industry set strategic goals, namely: Investment, Innovation, Internationalisation, Skills & Leadership. Innovation in particular provides new and transformational opportunities for our sector, whether it be in heritage fashion and interior textiles, medical textiles, wearable tech or aeronautical/automotive textiles. Calls to government to support companies in these transformational opportunities are ongoing – watch this space!"
With the new season of trade shows starting in the New Year, trends forecaster Fiona Chautard asks, are tradeshows still an important channel to grow your business?
We now work in a multi-channel world and the role of tradeshows has changed accordingly.
Ten years ago, all a new brand had to do was design a collection, get the samples made, show at a tradeshow, take the orders and handle the follow-up processes. There was a multitude of multi-brand independents and some of the larger stores who were happy to take a risk on and support new brands however with the fast-changing retail landscape - all this has now changed.
Tradeshows can still be as important as they used to be for meeting new customers but there are many fewer multi-brands out there, who will support new brands, and with the exception of markets like Japan, most of the department stores will not take a risk on new brands – they are only interested in investing in risk-free recognisable brands to guarantee sales.
Tradeshows however are still one of the best places to meet online retailers and market places. This is where they do their new research. The shows are now much less about order-writing and much more about meeting new and existing contacts and investing in a brand.
With the new merger of Textiles Scotland with UK Fashion & Textiles Association (UKFT) launching in January 2019, we wanted to share the views of Paul Alger, International Director of UKFT, as shared in a recent blog post for onwardsandup.co.uk reviewing the relevance of trade shows for business growth.
1. Investment is key! The days when you could rock up at a tradeshow with a sample collection and a smile have gone. This industry now requires deep pockets, great product and a keen understanding of running a business and brand building.
2. Knowing who your customer is comes first. There are no off the shelf lists for this, so it is down to companies to research their buyers and build up their own database. Once they have this, buyers hate being emailed by people they do not know. They also hate being added to a designers’ newsletter without their permission. Buyers usually hate being contacted with offers of products through LinkedIn, even if they have accepted your connection request!
3. Buyers will usually be happy to receive relevant offers through the post as long as they are relevant to their business needs – there is no point in sending a womenswear buyer your men’s lookbook as this will merely confirm to them that you haven’t done your research properly and if you cannot manage even to do that, why would they want to invest their time and energy in you?
4. Some stores will allow you to ask for details on buyers, especially outside the UK where buyers pride themselves on doing their research very thoroughly indeed. Always remember the assistant buyers, they are on the lookout for new things and ways to make their mark!
5. Timing is key, there is no point mailing an invitation to a fashion show or a tradeshow when the buyer or assistant is already travelling. Plan ahead and get the right communication out to the right people at the right time. Don’t pester them… Once a season or maybe twice a season at the right time is better than a constant barrage – that just makes you seem desperate.
6. A special word about selling to the US… Remember when I said don’t pester buyers? Ignore it, US buyers EXPECT you to hustle but it is probably only going to work if you can get them on the phone! Get used to using the phone – don’t assume they read their emails!
7. Finally, on the stand, make sure that your stand, like your website and shop, tells buyers what you stand for! What is your elevator pitch? They need to get that message within 10/20 seconds max. Have eye catching elements at the back of the stand to train the eye to the back. Give buyers space to look at the collection without being jumped on – sometimes it is better to stand just off the stand rather than always being on it. If the show is quiet or if you are bored, NEVER have your head in a book or newspaper! The buyer will rightly assume you are not really interested.
1. Research – who are your buyers, where do they go? What are their challenges? How do they buy? How do they use tradeshows? Which ones and why?
2. Research – Visit the main tradeshows and their competitors, speak to exhibitors to find out how it works.
3. Research – How does the market work? Do buyers work to appointments or prefer to work through an agent (as they do in Scandinavia, Germany and some of the US shows) or do they prefer to buy direct as they increasingly do in Japan? Do they like to visit regional shows in their own country or do they prefer to travel?
4. Planning: Plan ahead and apply in good time. Most of the better shows have a vetting panel and a waiting list and the better ones will never offer you a discount or special deal – asking for one merely makes you seem desperate. Some shows (Pitti Uomo, Copenhagen) will offer you a free deal if they really want you for a season or two, especially if you have a good product or social media story.
5. Delivery: Deliver a great stand with a friendly and welcoming layout. Be professional with your follow-up and order confirmations. Remember, not all buyers will agree to pay deposits (USA for example) and that you will probably have to quote in landed US dollars for the US and, as we approach Brexit, need to offer Euro prices and have at least thought about how buyers will be able to trade with you post-Brexit. This will be especially important in the Spring/Summer shows where buyers will be considering buying products scheduled for delivery shortly before March 2019 to reassure buyers.
6. UKFT: My sixth tip is always speak to UKFT before you book for a tradeshow. Whether you are a member of UKFT or not, through our work with Department for International Trade and separately, we visit most of the key shows, know how they work, how to apply and the pitfalls to avoid. We are always happy to talk to anyone to make sure they make the right tradeshow decisions!
UKFT is responsible for bringing together designers, manufacturers, agents and retailers to promote their businesses and the industry throughout the UK and internationally. To find out more about tradeshows and the great events that UKFT provide please contact:
Paul Alger, Director of International Business at UKFT
T: +44 (0)20 7843 9463
Tradeshow Funding Support – Find out what international tradeshows have funding support from the Department of International Trade 2018-2019
Fashion tradeshows around the world – Find out the dates of the tradeshow and fashions worldwide
About the author, Fiona Chautard.
See previous blog post
Funding is now available for businesses to train their young textile technicians across the UK, as part of UKFT’s mission to raise the skills and productivity of the people who work in the fashion and textile industry to the highest level.
UKFT has secured support from The Worshipful Company of Weavers and The Worshipful Company of Drapers to match-fund 50% of the costs of in-depth training for young textile technicians, predominantly in weaving positions.
As companies invest in new textile technology, the requirement for highly-skilled textile technicians has never been more important but this type of in-depth training is not currently available in the UK.
Training is carried out by machinery builders at overseas training schools and due to its specialised nature, is extremely expensive.
The new scheme builds on the success of other match-funded technician training programmes and opens the initiative to companies across the UK.
It is open to textile technicians under the age of 30 and businesses can apply to UKFT from the start of 2019.
Martin Jenkins, Project Manager at UKFT, said:
“This type of training is a critical way of ensuring that the UK textile sector remains competitive against global competition. It is great news that employers across the UK can now access funding to train textile technicians to allow the industry to capitalise on all the opportunities that exist for further growth.
The fund opens for applications on 1st January 2019. Companies interested in accessing funding should contact: email@example.com
Textiles Scotland have opened applications to pitch at Textile Innovation Network 2019.
The Textile Innovation Network 2019 will be held at The Principal Hotel, George Street, Edinburgh on the 14th March 2019.
Pitches are invited from Scottish SMEs carrying out activity in the UK, with an innovation opportunity they would like to put to a room full of funders, experts, and peers.
Pitch application form can be found here.
More details on the event can be found here.
This event is kindly sponsored by DASA.
Textiles Scotland (STLA) is pleased to announce that the management of the company will be taken over by UKFT, effective 1 January 2019, following a unanimous vote by STLA members and lengthy discussions between the two organisations.
Textiles Scotland and UKFT have strong historical links and the move provides new opportunities for Scottish companies by being part of a wider network while retaining a national, Scottish focus.
The Textiles Scotland branding will be continued, as will the Scottish focus of the activities, support and government lobbying.
From 1 January 2019, existing Textiles Scotland members will be transferred to a new company called UKFT Scotland.
UKFT Scotland (Textiles Scotland) will join the main UKFT board and UKFT CEO Adam Mansell will join the Scottish Industry Leadership Group.
UKFT will be working with the industry to develop a new membership offer that will help Textiles Scotland become a self-sustaining organisation, including using its expertise to develop an export strategy and a skills strategy for Scottish members.
James Lang, Chairman of Textiles Scotland, said:
“UKFT’s commitment to working with the industry to deliver our current plan of activity, while plugging into a wider textiles, fashion and leather network makes it a perfect partner for Textiles Scotland. This new partnership allows us to focus on high-value growth opportunities in international markets and adopt an industry-wide approach, which is genuinely committed to innovation and best practice to ensure future success.”
Nigel Lugg, Chairman of UKFT, said:
“We are delighted to welcome Textiles Scotland into the wider UKFT community and look forward to expanding our support services to address the needs of our new Scottish members, focused on leadership, innovation, internationalisation, skills and investment. This transaction will ensure that Scottish companies have a national and international voice and significantly furthers our aim of creating a highly profitable and productive UK fashion and textiles industry.”
UKFT’s members include some of the UK’s most well-known fashion and textile brands, heritage success stories and emerging designer labels, alongside the manufacturers and suppliers that turn those designs into a reality.
Like the businesses it represents, UKFT has transformed in recent years to meet the demands of today’s vibrant, dynamic industry and the most important task for UKFT and UKFT Scotland is to ensure that the right environment is created for the fashion and textile sector to thrive for many years to come.
Furthermore, after five years as the Scottish Textiles Industry Leadership Group Chairman, James Lang will be stepping down from his post. A successor will be confirmed in the new year.
Textiles Scotland would like to thank all members for their continuous support over the years, and look forward to providing them with extended resources under the banner of UKFT Scotland.
For further information, please contact:
Jaki Love: firstname.lastname@example.org
Copyright Textiles Scotland © 2018. Registered office: 272 Bath Street, Glasgow, G2 4JR. Registration Number: SC319004